Armstrong's Last Goodnight
National Theatre Company, Old Vic Theatre, 1965

King James the  Fifth of Scotland:  Malcom Reynolds
Sir David Lindsay of the Mount:  Robert Stephens
Alexander McGlass:  Frank  Wylie
The Lady, Lindsay’s Mistrss:  Geraldine McEwan
Her Maid:  Kay Gallie
John Armstrong of Gilnockie:  Albert Finney
His Wife:  Caroline John
Willie Armstrong:  Neil Fitzpatrick
Tam Armstrong:  John Hallam
Archie Armstrong:  Michael York
Piper:  James Wilson
Three girls of Gilnockie’s Household:  Jennie Heselwood, Carolyn Jones, Pauline Taylor
Gilbert Eliot of Stobs:  Paul Curram
Martin Elliot, his son:  Michael Byrne
Meg Elliot,  Stobs daughter:  Chloe Ashcroft
James Johnson of Wamphray:  John Savident
A Protestant Evangelist:  David Ryall
1st Scotts Commissioner:  Derek Jacobi
2nd Scotts Commissioner:  David Ryall
1st English Commissioner:  Edward Petherbridge
2nd English Commissioner:  Alan Collins
Clerk to the Scots Commissioners:  Gerald James
Clerk to the English Commissioners:  Roger Kemp
Lord Maxwell’s secretary:  Gerald James
Lord Johnson’s secretary:  Edward Petherbridge
The Cardinal of St Andrew’s secretary:  John Savident

 A note on the play by John Arden

      This play is founded upon historical fact, but the ascertainable facts are few and rather bald.  Henry VIII of England (like his predecessors) was always anxious to obtain Scotland, either as a satellite or as a direct conquest.  He defeated and killed James IV at Flodden (1513).  James’ widow was the sister of Henry VIII, so it seemed likely that the satellite condition would soon be fulfilled.  Her son, the child-king James V, at first controlled by his mother and her pro-English friends was eventually freed from their dominance and they were driven into exile.  He was not yet a ruler in his own right, however, the English policy was thereafter directed against the ‘patriot’ faction of Scots nobles who now had James under their wing.  As Flodden had meant the destruction of the military strength of Scotland, threats of further war were always a potent aspect of this policy.  The activities of the Scottish borderers provided a pretext for such a threat.  These borderers lived by preying on their opposite numbers in England (and, of course, vice versa).  As their lands were the first to be devastated in open hostilities between the countries, it was natural for them to anticipate such hostilities as a way of gaining their daily bread and thereby cut their losses in the event of a regular war.
     
One Scots borderer, John Armstrong of Gilnockie, was particularly notorious and successful.  In 1530, two years after the English had made specific demand for his apprehension, he was hanged by James V, who had ridden to the borders, apparently to hunt but in fact to carry out swift justice among the reivers and moss-troopers.  The hanging of Gilnockie seems to have been achieved by treachery and there was no trial.  This punitive expedition was the first independent act of the young king.  Not many years later, war did break out, the English were successful and James V is said to have died of disappointment at the army’s defeat.
      For the rest of the sixteenth century the borders remained troubled, just as relations between England and Scotland remained troubled.  When the grandson of James V became King James I of England, the moss-troopers became peaceful farmers and country gentlemen.  But the hanging of Gilnockie had seriously damaged what had been the very considerable independent power of the Armstrong family.  Later Armstrongs rode against England indeed, but never in such strength, nor with so many confederate allies.  To the ballad-makers of c. 1603 Johnnie Armstrong seemed ‘the last of the giants,’ and the song that was made of his hanging expresses this in clear “Homeric” imagery.  But there is a qualification to be made here.
      For Armstrong was not his own man.  He was the vassal of the powerful Maxwell family, who not only held estates on the border and contributed to the continual unrest there, but also were of high political importance at the Scottish Court.  Before the kin could proceed against the moss-troopers he had first to imprison Lord Maxwell and a number of other noblemen.  He did more than this—he appears to have made a deal with them:  because the upshot of Gilnockie’s hanging was a grant of the Gilnockie lands to Lord Maxwell direct.  In other words Maxwell had sold his dependant for material and political advantage.
      Such activities are not unknown today.  While I was considering the possibility of writing a play based upon the ballad of Johnny Armstrong I read Conor Cruise O’Brien’s book To Katanga and Back.  I was immediately struck by a number of pertinent similarities between Scotland in 1528 and the Congo in 1961.  Tshombe of Congo was a threat to the central government of the Congo if he remained a separatist leader.  But he was not his own man.  He was backed by Belgian mining interests and also by foreign governments whose activities at the United Nations bear a certain resemblance to the activities of Maxwell and his friends in Edinburgh.  The attempt of the UN to persuade (and finally, to force) him back under the control of the central government brought Dr. O’Brien—a man of letters as well as a diplomat—into a society where intrigue (to which he was professionally accustomed) was no less common than violence in its most naked form.  Who, for instance, killed Lumumba?  Did Dag Hammarskjold’s aircraft fall out of the sky on its own, or was it induced to fall, and if so, by whom?  


Sir Walter Scott on the Armstrong Legend

     
Johnnie Armstrong of Gilnockie . . . is a noted personage both in history and tradition.  He was, it would seem from the ballad, a brother of the Laird of Mangertoun, chief of the name.  His place of residence (now a roofless tower) was at the Hollows, a few miles from Langholm, where its ruins still serve to adorn a scene which, in natural beauty, has few equals in Scotland.  At the head of a desperate band of freebooters, this Armstrong is said to have spread the terror of his name almost as far as Newcastle, and to have levied blackmail, or protection and forbearance money, for many miles around.  James V . . . undertook an expedition through the Border countries, to suppress the turbulent spirit of the Marchmen; but before setting out upon his journey, he took the precaution of imprisoning the different Border chieftains who were the chief protectors of the marauders . . . The king then marched rapidly forward at the head of a flying army of ten thousand men, through Ettrick Forest and Ewsdale.  The evil genius of our Johnnie Armstrong, or, as others say, the private advice of some courtiers, prompted him to present himself before James at the head of thirty-six horses, arrayed in all the pomp of border chivalry.  Pitscottie [the chronicler] uses nearly the words of the ballad in describing the splendor of his equipment, and his high expectations of favor from the King.  But James, looking upon him sternly, said to his attendants, “What wants that knave that a king should have?” and ordered him and his followers to instant execution.  ‘But John Armstrong,’ continues this minute historian, ‘made great offers to the king:  that he should sustain himself with forty gentlemen, ever ready at his service, on their own cost, without wronging any Scottishmen; secondly that there was not a subject in England, duke, earl, or baron, but, within a certain day, he should bring him to his majesty either quick or dead.  At length he, seeing no hope of favor, said very proudly, “It is folly to seek grace at a graceless face; but,” said he, “had I known this, I should have lived upon the Borders in despite of King Harry and you both; for I know King Harry would down-weigh my best horse with gold, to know that I were condemned to die this day.”’

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